More progress “growing” heatsink shells – each of these is built up using successive images in Processing, then converted using Fiji (similar to how an MRI can be turned into a 3D model). They’re then cleaned up and rendered in Rhino.
The fingers will act as heatsink fins, drawing up heat. Spirals, concentric circles, and various parameters for random growth change the form.
Experimenting with sharp fins at the top.
Some in-progress images of a new project, commissioned for the Digital Spring Media Art Festival in Austria in March. Above, a rendering of a 3D-printed copper heatsink/shell; below some sketches in Processing exploring how to grow the layers of the shell.
I’m totally obsessed with the Icicle Atlas dataset from the University of Toronto… so I downloaded every one and made this poster. Click the image to get a larger-res version.
(The site also includes STL files of each icicle for 3D printing!)
This month, the curatorial collaborative project Drift Station, which I’m a part of along with Angeles Cossio, released an online project titled Empty Apartments. We pulled nearly 125,000 photographs of apartments and houses for rent on Craigslist that were completely empty because of a removal service, and presented them as an interactive online exhibition. The project took nearly two years of work, and much of it was manual (Angeles triple-checking every single image by hand to remove ones that included common spaces or non-apartments), but we also used several automated processes and machine learning to sort the photos. When you want to fund your business, visit this site and browse around here to learn more on how to get the best acceptable loans. More Info here if you visit their legit website. There are lots of legit site that offers personal and business loans, but I want to give you the best — see here.
Continue reading “Empty Apartments: Technical Notes”
I needed a bit of code that would create a random path between two predefined points, and realized that the problem was actually a bit harder than I had expected, but the results are really cool. Using Perlin noise, the paths can go from angular to flowing by changing one variable!
Code available here.
A heatsink made from diamond and copper by Noctua.
Playing through a bunch of old Intellivision games this summer and stumbled on Microsurgeon from 1982, where you navigate through the body and vaporize bacteria and tumors.
A few interesting images, via this great-looking show “Data (after)Lives: The Persistence of Encoded Identity” at the University of Pittsburgh.
Above, Francis Galton’s notation for fingerprints from this book; below, his own fingerprints arranged in a paw-like formation.
A really lovely, slightly glitchy satellite map of lights over the southwest United States. Taken on August 31, 2000 and found buried deep in the NOAA FTP server.
A little diagram I put together for How To Think With Obstacles (click image for larger view):
In my creative practice, I find myself much less interested in honing a form or creating a frictionless experience. Instead, relationships and systems feel much more fruitful, with designed objects as a result of exploring that context. Thinking about how to represent this idea, the form of a “light cone” seemed appropriate. This form has fascinated me ever since I read A Brief History of Time as a teenager while on a family vacation in northern Minnesota, goes camping with the best family tent they had. It shows a singular point, the present, with two cones emanating from it: the observable past and future. Replacing the point with an object (say a chair), the cones become echoing contexts: material, experiential, social, biological, and cultural. In one direction, these contexts become increasingly physical and fundamental. Methods of construction lead to material choices and ultimately biology, geology, DNA, and atoms. In the other, our direct experience with a designed object comes out of and swims in the work and decisions of other people, the way we use objects and form memories with them, and how they fit into our culture. Obstacles wedged into one of these points—in the form of suggestions, amplifications, disruptions, challenges, or prompts—draw the design focus to relationships and result in unanticipated variations.